Orchestra/Large Ensemble
Dreaming Green for Chamber Orchestra (2024)
Duration: 12'
Instrumentation: 2 2 2 2 - 2 3 0 0 - Perc (2), Vl1 (6), Vl2 (6), Vla (3), Vc (3), Cb (2)
Heavyweight: Aftersound for Large Woodwind Ensemble (2024)
Duration: 10'
Written for Splinter Reeds and UT Student Soloists
Visage for Large Ensemble (2021)
Duration: 17’
Instrumentation: Flute, Oboe, Clarinet in Bb (also Bass Clarinet), Bassoon, Horn in F, Trumpet in C, Trombone, Tuba, 2 Percussions, Harp, 2 Violins, Viola, Violoncello, Double Bass
Overture for Itself for Large Orchestra (2019)
Duration: 13’
Instrumentation: 3 3 3 3 - 4 3 3 1 - Perc (2), Hp, Pn, Vl1 (10), Vl2 (8), Vla (6), Vc (6), Cb (4)
Ensemble
Envisage for Mixed Ensemble (2025-26)
Duration: ~20'
Written for SoundMap Ensemble
Various Forms of Ice for Mixed Ensemble (2024)
Duration: 6'30
Written for United Instruments of Lucilin
Duration: 10’
Instrumentation: Flute, Clarinet in Bb (also Bass Clarinet), Trombone, Piano, Violin, Viola, Violoncello
Moments from Silence for Ensemble (2019)
Duration: 7’
Instrumentation: Flute (also Alto Flute), Clarinet in Bb (also Bass Clarinet), Percussion, Piano, Violin, Violoncello
Written for Oerknal Ensemble
Ozymandias for Ensemble (2018)
Duration: 7’
Instrumentation: Soprano Voice, Flute, Trombone, Percussion, Piano, Viola and Contrabass
Memories for Pierrot Ensemble and Percussion (2017)
Duration: 5’
Written for Hezarfen Ensemble
Chamber
Angelus Novus for Soprano, Violin, Viola, Double Bass, and Piano (2024-25)
Duration: 11'
Written for Peyee Chen, Eliane Tokeshi, Reese Chen, Andrés Hernández, and Jeanne Hourez
Trio for Oboe, Harp, and Electric Guitar (2023)
Duration: 10’
Written for Olivier Stankiewicz, Alice Belugou, and Rémy Reber
Fragmented Hyperrealities for Percussion Trio (2022)
Duration: 10’
Written for Reverberation Percussion
Duration: 10’
Instrumentation: Clarinet in Bb (also Bass Clarinet), Soprano Saxophone (also Alto Saxophone), Trumpet in C (also Flugelhorn) and Viola
Written for Motocontrario Ensemble
Heavyweight for Wind Quintet and Live Electronics (2020)
Duration: 9’
Instrumentation: Flute, Oboe, Clarinet in Bb, Bassoon, Horn in F
Duration: 8’
Written for Hezarfen Ensemble
Paranoia for Trio (2016)
Duration: 3’
Instrumentation: Blockflute, Panflute and Vibraphone
Written for Black Pencil Ensemble
Solo/Duo
Omaggio alla storia - Revision 2025 for Piano, Percussion, and Electronics (2025)
Duration: 13'30
Written for Vertixe Sonora
Ontophony for Violin and Live Electronics (2025)
Duration: Not Fixed
Written for Eliane Tokeshi
Behind Those Eyes for Trombone and Live Electronics (2024)
Duration: Not Fixed
Written for Billy Pickus
Gasping in the Weighty Distance for Violin and Live Electronics (2024)
Duration: 11'
Written for Benjamin Kronk
The Time Regulation Institute for Viola, Violoncello, and Electronics (2023)
Duration: 14'
Written for Laurent Camatte and Clotilde Lacroix (HANATSUmiroir)
Before Silence for Sheng and Bassoon (2023)
Duration: 9'
Written for Yang Zheng and Brigit Fitzgerald
Bound for Soprano and Electronics (2023)
Duration: 7'
Written for Rose Hegele
The Shepherd’s Song for Alto Flute Solo (2021) - BCCP 2021 Finalist
Duration: 4’
Written for Susanne Peters
New Nature for Baritone and Electronics (2021)
Duration: 8’
Written for Tyler Bouque
Omaggio alla storia for Piano, Percussion and Live Electronics (2020)
Duration: 9’30
Written for Birdbrains Duo
Snake for Amplified Contrabass Clarinet (2020)
Duration: 5’
Influences for Solo Violin (2018)
Duration: 7’
Prelude 1: Süreç for Piano Solo (2016)
Duration: 4’
Kökenler ve Çelişkiler for Bassoon and Piano (2016)
Duration: 4’
Fixed Media
Yowling Metals Fixed Media (2024)
Duration: 10'23
Heavyweight: No Man’s Land Fixed Media (2021, Revision 2023) - Prix CIME 2023 Finalist
Duration: 12'
Layers into Rural Unconsciousness Fixed Media (2020)
Duration: 20’
Tape Music Fixed Media (2019)
Duration: 7’
Improvisation
Improvisation 1 Free Improvisation with Bassoon and Live Electronics (2020)
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